#82 – Broken Flowers


With Jim Jarmusch and Bill Murray in cohorts it was always going to be tough for Broken Flowers to not come out smelling sweet, put Murray in a Fred Perry tracksuit and bingo… we have a flick that isn’t a mile from the echelons occupied by Lost In Translation.



#81 – Talladega Nights: The Ballad Of Ricky Bobby


Stupid movie, but it’s Will Ferrell, making Talladega Nights: The Ballad Of Ricky Bobby bearable due to a few Ferrell prompted gems, mostly related to imagining being on fire, and “shake and bake!”


#76 – A Bittersweet Life


Film making as it should be, A Bittersweet Life represents it’s core ideologies at every turn in both story and shot while being full of the finest Korean brutalist sequences – watch Sun-woo’s wardrobe as it alters through the running time to match his relationship with Kang and his own mental state, brilliantly accomplished cinema.

#75 – The Lookout


Joseph Gordon-Levitt is hell of an actor for some one who was in Third Shite from the Sun and The Lookout is aware of this allowing his presence to drive the film and maintain interest, something it does in spades and yet this film should be dull, you know the twists, you’ve seen the plot a hundred times before in various guises, yet this does it better and with a frenetic intensity that is mostly restrained throughout, but breaks free and gushes forth in the films finale – it even has a blind man who can see, and still I don’t hate it.

#74 – The King of Kong: A Fistful of Quarters


The documentary The King of Kong: A Fistful of Quarters is one of the finest pieces of reality cinema I have seen in a long time, it’s ability to force the viewer to empathize with Steve Wiebe (the focus of the piece) and his quest for recognition as the greatest Donkey Kong player of all time is remarkable – it harnesses the enthusiasm of all it holds in shot and infects the viewer vicariously with the sensation.

#73 – Noose


Noose is ridiculously full of great actors, yet Denis Leary gets the lead… what is more amazing is that the film doesn’t actually suffer too much, it’s kind of a Goodfellas, but made by mature students instead of a man named Scorsese – this is a shame because Ted Demme, the dude who did direct it has done much better work from behind the camera before and after this.

(This flick seems not only to go by at least three different titles, but all associated imagery is shit – apologies.)