I remembered a lot of The Dark Crystal, which is weird because the only time I’d seen it was when it arrived on VHS in the 80s. Re-watching it some 30 years on revealed why it is so vivid in the memory. It’s fucking terrifying.
Aside from the horror and uneasy kookiness of it all it’s worth mentioning that the Henson puppets clearly hampered story telling. A lot of the heavy lifting required by the plot is done via voiceover, which is fine, because I was too busy being disturbed to concentrate on anything anyway.
And with the credits rolling on Harry Potter And The Deathly Hallows Part 2 my eight (were there eight?) film immersion into the world of teenage wizards and witches is complete.
My girlfriend pointed out that as I kept falling asleep during these flicks, I’m probably not really entitled to pass any sort of judgement. She’s very rarely wrong.
What is there to say about Harry Potter And The Deathly Hallows Part 1? We’re getting near the end!?
Harry Potter And The Order Of The Phoenix is the fifth film of the franchise… I think.
Frozen is that Disney film with the song that isn’t as good as Defying Gravity, but is almost as good… I quite liked the running joke regarding the snowman and his dream of being warm.
Jim Jarmusch flicks are cool, almost to a fault and Only Lovers Left Alive follows this plan. There are too many hokey references to pop culture through the ages, but this can be forgiven as it detracts little from what’s actually going on.
The film benefits hugely from the insertion of Mia Wasikowski at exactly the right moment, bringing a much needed upbeat to proceedings in both verve and pace. It’s hip to be vampire, but with considerable drawbacks. It’s a message told repeatedly within the genre, and while nothing new is espoused here it isn’t an unpleasant viewing experience. I do however, much prefer The Lost Boys…
Angelina J. with horns and wings is about all that’s going on in Maleficent. It sort of works, but there is a lot of nothing happening for most of this flick.
I don’t have the time or the will power to deconstruct the almost infinite reasons why Noah is a horror show of a film. In short, it makes so little sense as to place itself into an abyss of irrelevance. Are we meant to learn things from Bible stories? If so, I learnt that Noah is a total dick. Aronofsky, what happened? Bizarre, utterly bizarre…
My pal described going to see 47 Ronin as keeping the Keanu experience complete. That to me is a good reason to watch it. It is also probably the best reason to watch it. The story is an exceptional one, full of honour and tragedy. This all gets horribly obscured though by CGI and a 12A certificate.
Immortals is little more than an unrelenting spectacle which fatigues the viewer in a similar manner to every other special effect laden ‘event’ picture you don’t care about. It’s also proliferated with abs.