#940 – Birdman


Birdman is as good as you’ve been told. It’s a film not everyone is going to like, it’s too niche in its self-serving subject matter. It’s not a problem though, it’s a film in exactly the form it wants to be. The performances, themes and dialogue are immense across the board and that is more than enough to keep this lover of film locked in to all that plays out.

And the fight scene with Ed Norton, freshly tanned and in Speedo’s

Birdman Michael Keaton


#519 – J. Edgar


J. Edgar is pedestrian at best. Knowing Clint’s political views makes this film a little tough to read, on the one hand it draws parallels with modern america, seemingly pointing out the folly in suspecting everyone as being the enemy, yet it also sympathises hugely with its eponymous lead character. DiCaprio ‘copes’ as the J. Edgar is probably the best description, but then there is little to work with in terms of really getting stuck in, mostly it’s prosthetics and suit-wearing. The central problem with this flick is it’s thin, like really light. And if you’re going to make a slow, brooding biopic, which I’m sure the intention was, then you need heavyweight in terms of direction, script and subject matter. This movie falls short on all three counts.

#470 – Funny Games


Shot-for-shot remakes aren’t usually my thing, but when Haneke decided to Americanise his tale of two youths and their disregard for society I was intrigued. Not only because the original was superb piece of film making but also because some serious talent was involved in the way of Watts, Roth and Pitt. And in-keeping with this Funny Games, the 2007 version, is quality. Brutal and sociopathic in deck shoes and tight white shorts (though not quite as tight as in the original).